Thanks to everyone who left so many thoughtful comments about my post on Jewish characters in fantasy settings generally (and in Citadel miniatures in particular). Although this was a pretty obscure topic, to my surprise, it turned into one of the most popular posts I've ever written.
There's much to say as a follow-up, but I'm going to limit myself to three quick points.
First , one of the observations that several people made is that Jewish history, language and culture were inspirations for the Dwarves of Middle-earth. It's unclear how intentional this was at the time of writing, but Tolkien himself acknowledged the connection much later. As he said during a 1971 interview:
“I didn’t intend it, but when you’ve got these people on your hands, you’ve got to make them different, haven’t you? The dwarves of course are quite obviously, wouldn’t you say that in many ways they remind you of the Jews? Their words are Semitic, obviously, constructed to be Semitic."One particularly important connection between Dwarves and Jews is the theme of exile. Medieval Jews were defined by their banishment from Israel. And when we encounter the Dwarves in The Hobbit, we also meet them as exiles. Nobles, warriors and great craftsmen are reduced to wandering like tinkers, singing mournfully about their lost home in the Lonely Mountain. But when we come into The Lord of the Rings, we understand that there is a much greater and more painful exile troubling the dwarves: the long banishment from Moria.
By seeing the connection between Dwarvish and Jewish history, we can better appreciate the motivations of a character like Gimli, and his keening for Moria. This connection is also important because it adds another layer of poignancy to the friendship of Gimli and Legolas. I sense in their reconciliation a hidden hope of Tolkien that centuries of strife and mistrust -- in both Europe and in Middle-earth -- can be amended in the wake of horrific war.
|As K. Friedman says, they ain't making Jews like Jesus anymore.
The second thing that surprised me about the commentary on my post was that nobody mentioned the Land of Shem invented by Robert E. Howard in his Conan stories. Howard's Hyborean Age has many thinly veiled parallels with our ancient world, notably the association of the Shemites with the ancient Israelites. "Shem" is, after all, the son of Noah who was the legendary progenitor of the Hebrews, Assyrians and others. Howard himself wrote that his ancient Shemites would become our "Arabs, Israelites, and other straighter-featured Semites." (The Hyborean Age, 1936). Straight-featured Semites? Is that a thing?
In any case, Howard's portrayal of the Shemites flirts with well-worn stereotypes (hook noses, a love of money, dishonesty). However, Howard is capable of moving beyond caricature and supplying some memorable Shemish characters. The most important of these is Belit, Queen of the Black Coast: a pirate, a lover of Conan, a savior from beyond the grave, and a possessor of heaving bosoms:
She turned toward Conan, her bosom heaving, her eyes flashing...That'll put steel in your thews.
She had looped the necklace about her neck, and on her naked white bosom the red clots glimmered darkly...
...he saw the blaze of her dark eyes, the thick cluster of her burnished hair; her bosom heaved, her red lips were parted... (Queen of the Black Coast, 1934)
|"Arnold - take this rock!" by Amelia Fink
Finally, I don't want to leave the topic of Jews in fantasy worlds without mentioning Hello from the Magic Tavern. This is a podcast that's broadcast from a tavern called "The Vermillion Minotaur" in the magical land of Foon. The podcast does an excellent job of poking fun at many of the conventions of high fantasy, including the customary absence of Jews. If you haven't listened to Hello from the Magic Tavern, give yourself a treat and start at Episode #1.
Or, you can fast forward to Episode #45 and listen to an interview with the First Jew of Foon. Just remember --- IT IS NOT REAL.