Here are the final five C27 Chaos Goblin Mutants produced by Citadel and sculpted by the Perry Twins in 1984 (I profiled the first five miniatures in my last post).
One of the reasons these are such engaging sculpts is because they are made in the old style, with solid bases that are part of the miniature and sit flat on the table. These are sometimes called integral bases or broccoli bases. But whatever you call them, they are the mark of a truly vintage Citadel miniature. It was in 1985 that Citadel permanently transitioned away from solid base miniatures in favour of slotta-base miniatures (which, of course, have a tab on the bottom that slots into a separate plastic base).
I suppose you wouldn't know on first glance that my Chaos Goblin Mutants are solid base, since I've mounted mine on 20mm bases so that they'll blend in with the rest of my collection. But to my eye, they have an unmistakably solid-base feel: a rounded, three-dimensional quality that stands in distinction to the flat style of sculpting that accompanies many slotta base miniatures. This flatness arises from the fact that the sculptor has to work within the constraints of the mold. Since the mold is chiefly occupied by the long, lateral span of the miniature's slot, the rest of the model has to follow that line.
Now before you reach for your pitchforks and torches in order to run the slotta base out of the village, remember all the good things it has done for us. In fact, the case for the slotta base was first made in the pages of The Citadel Journal Spring 85, where Citadel introduced the change. The Journal points out that there are several advantages to slotta bases. First, they save a lot of metal, which should make the miniatures cheaper. Well, perhaps, but the consumer never noticed these savings. For example, the costs of a single solid-base Citadel wizard in 1984 was 40p, whereas in 1985 a slotta-base wizard would run you 60p. But, money aside, there are technical advantages to slotta sculpting. As The Journal said:
...freeing the model from the base allows are sculptors to use a whole new range of positions and other features. Having an integral base on the miniature has always imposed certain restrictions about the way the arms could be positioned, for example, whilst cloaks had always to be modelled so that they reached the ground.You can see some of the drawbacks of solid-base miniatures in my own Goblin Mutants. For example, the wings of the Winged Goblin are joined to the ground in a single mass. So I accept that slotta bases freed us from the compact, trunk-like designs of the solid base. But slottas also imposed a new tyranny: laterally designed miniatures where all the limbs spread along the axis of the underlying slot. The best miniature designs transcended the limitations of slotta-sculpting, but many mediocre designs did not (ahem, cough, cough, Marauder Miniatures).
So what do you think: Slotta or solid? CDs or vinyl? Scotch or bourbon? Well, as you're mulling that over, here are the Chaos Goblin Mutants...
Above is C27 Chaos Goblin Mutant "Wings" or "Wingback" (depending on the advert). I love the devilish details: the cloven hooves, the horns and the evil expression.
Here is "Hopper". Not to be confused with the sheriff of Hawkins, Indiana.
Here is "Beast", not to be confused with the X-man, the lover of "Beauty", the trojan horse, the novel by Peter Benchley, the novel by John Crowley, the novel by Ally Kennen, the South Korean boy band, the British sit-com or the villain from He-Man, Master of the Universe.
Above we have the mutant "Long Neck". I'll give you three guesses what his mutation is.
And finally, my very favourite, the runt of the litter... here is "Plague". I always relish an opportunity to paint eczema.
Thanks for looking!